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The Oil & Water Business: Should You Compromise Your Vision To Sell Your Comic?

Updated: 7 days ago

By D.P. Brown


There are days when I sit at my desk, pencil in hand or fingers hovering over the keyboard, and ideas flow effortlessly. The characters come alive, and the dialogue writes itself. It’s just me and the story—free of filters and gatekeepers. That’s what I call water—pure creativity, unrestrained and honest.


However, not every day allows me to stay in that flow. Some days, I need to set the story aside and shift into strategist mode. This involves tweaking a pitch, revising a scene to broaden the audience, or brainstorming a new marketing hook. This is the oil—the business side of comics, thick and persistent, demanding space even where it doesn’t fit.


Merging the two elements can be challenging. Yet, as creators in a commercial medium, we must find a way to do it.


When Creativity Flows and Commerce Spreads


The contradiction exists in every decision I make while writing The Theme of Thieves. I want to push boundaries and tell impactful stories, but I also need to pay the bills, sell books, and keep the doors open for future projects.


At times, the story I want to tell does not align with market demands. Occasionally, the version that works isn’t the one that feels truest to me. Each time I bend—softening a theme, altering a character’s background, or adjusting a moment to resonate better—I question myself: Is this a compromise, or is it a form of censorship?


Yet here’s where it becomes complex: sometimes, the compromise is worth it. If I can find a creative way to make it satisfying, then I consider it a victory.


Where Conflict Becomes a Win


There have been instances where working within limits or adjusting for an audience has enriched the story. It can lead to a tighter, clearer narrative. The friction between vision and viability often pushes me to think more critically, dig deeper, and uncover a version of the story that remains truthful—just in a language that resonates with more people.


It's crucial to understand that this isn’t selling out; it’s about strategy. Creators are obligated to make it work creatively. Let’s be honest: we do not create in isolation. Unless you are financially backing a project on your own, a bit of compromise is often necessary. If you’re investing in someone else's project, wouldn’t you want some return on that investment? If you have experience and suggest changes to improve sales, can you grasp their perspective?


I know—it’s challenging when dealing with the interplay of oil and water. Funders expect something in return.


For your project, the question becomes: Can you convey your message even if it must be packaged differently?


This tension is a constant in every project. I don’t want to dilute the message, yet I do want it to resonate. If softening a scene enables a publisher to say yes, or allows a young reader to see themselves for the first time, then maybe that’s a win—even if it's not the version I envisioned during those late-night writing sessions.


Finding Balance in the Middle Ground


The real danger occurs when the “oil” takes over completely. When a story begins to be constructed solely for sales, devoid of meaning, it loses its heartbeat. I can attest to this firsthand: I’ve viewed finished pages that appeared clean and polished, but felt lifeless.


However, when I remember the why behind the story, while adjusting the how, the work remains vibrant. That’s where the balance lies—the sweet spot where creativity and commerce meet successfully.


The Question I Keep Asking


As a creator, I constantly navigate the fine line between expression and exposure. I want to reveal the truth, yet I also want that truth to reach people. Thus, I continually ask myself:

How much can I bend the story without breaking its soul?

This question is universal in our industry—whether we're writing, illustrating, editing, or publishing. There’s no one definitive answer; it’s an ongoing negotiation between art and survival, between oil and water.


I've learned that the stories I’m proudest of are the ones where I’ve conveyed my truth, even if it’s a slightly altered, market-ready version. These are the narratives that linger.


The Ongoing Journey of Creation


Creating in today’s commercial landscape is an ongoing journey. The balance between artistic integrity and marketability can feel daunting. But every compromise, every adjustment, is also a step toward connecting with a broader audience.


As creators, we must learn to embrace this dance. Strategies may evolve, but the core of our storytelling should always reflect truth, purpose, and depth. Finding our unique voice while engaging with the market can forge pathways that lead to success.


In conclusion, our stories deserve to be heard, even if it means navigating the complex waters of creativity and commerce. After all, the essence of storytelling is to bridge experiences and make connections.


Excelsior!

-D.P.


D.P. Brown is the writer and creator of the comic series The Theme of Thieves (it's Lost meets Quantum Leap meets The Wire), available in comic shops nationwide. **Follow the Kickstarter for the trade paperback launch here.


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